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Idolator (http://idolator.com/) "The New York-area duo Boy/Girl is a guitar/drums outfit that's all about contradictions--they're straightforward but spazzy, messy but stripped-down."
The Deli Magazine (http://www.thedelimagazine.com) "...unexpected patterns across the complete span of the drum kit to give this two piece a head-scratching appeal that alternately challenges and charms in a tense exchange with the listener."
4casey4music - Listening Room (http://milkmilk-lemonade.blogspot.com) "It seems the indie rock Friday we've been trying to keep afloat lives to see another week...and in a big big way. Today's featured duo are an incredible exercise in both reckless noise rock and minimal needs where bells and whistles are concerned. Plenty of you might make an obvious initial comparison to a certain Jon Spencer project (minus the cheesy ego), just as I first did. That might be a result of them using the same Manhattan practice basement many of Spencer's previous bands and related artists inhabited at one time or another. That likeness quickly faded as the vocals kicked me in the stomach"
3HivePick (http://www.3hive.com/) "The straddling-the-line-between-lo-and-no-fi fuzzed-out blues-inspired duo-rock of Boy/Girl interprets what the JSBX would have been like on downers."
City Belt - Day Job (http://citybelt.typepad.com) "I often find two-pieces lacking in a fullness of sound. Of course, sometimes this works to a band's advantage, if it fits the music well. Such is the case with boy/girl, made up of Brooklyn's Eric Stiner (boy) and Jersey City's Lisa Cusack (girl). The word "spazz" or "spazzy" seems to get thrown around a lot when talking about them, but I don't really get full-on "spazzocity" or "spazzmasms" from them -- instead I feel dysfunction, but in a good way. So there you have it: dysfunction rock."
Blowup Radio Concert Pick (http://blowupradio.tripod.com/concertpicks.html ) "Boy/Girl add a jolt of refreshingly off-kilter No Wave spazzosity"
Pashtastic (LIVE REVIEW) http://pashtastic.blogspot.com "You really need to see them in person to see how incredibly they improvise together, and how technical and artistic their instrumentation is."
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